Radio Radif Thursdays: Transcriptions of the Mousa Maroufi’s Radif

The focus of the first session was on a highly significant document: Faramarz Payvar’s handwritten copies of the “Radif of Mousa Maroufi.” In the published edition of Mousa Maroufi's Radif, the sources of the radif’s various sections are not clearly indicated. Payvar’s manuscript identifies these sources, serving as an intermediary text that links Ma’rufi’s earliest notes to his later published versions.

Special Episode: 35 Years with the Gramophone – Part 3

Duration: 25 minutes In the second half of 2023, at the Payvar Foundation, we hosted 12 sessions of the “Radio Radif Thursdays” series. In these programs, by extensively listening to historical pieces and old recordings, in a serious yet friendly atmosphere with discussions and exchanges of views, we revisited the history of Iranian music from the late Qajar era to the first Pahlavi period.

Special Episode: 35 Years with the Gramophone – Part 2

Duration: 21 Minutes In the second half of 2023, at the Payvar Foundation, we hosted 12 sessions of the “Radio Radif Thursdays” series. In these programs, by extensively listening to historical pieces and old recordings, in a serious yet friendly atmosphere with discussions and exchanges of views, we revisited the history of Iranian music from the late Qajar era to the first Pahlavi period.

Special Episode: 35 Years with the Gramophone – Part 1

Duration: 29 minutes In the second half of 2023, at the Payvar Foundation, we hosted 12 sessions of the “Radio Radif Thursdays” series. In these programs, by extensively listening to historical pieces and old recordings, in a serious yet friendly atmosphere with discussions and exchanges of views, we revisited the history of Iranian music from the late Qajar era to the first Pahlavi period.

Season 2: The History of Music Recording in Iran – Episode 13

Duration: 56 minutes, With the end of World War II in Iran in 1945 (1324 Solar Hijri), the recording of gramophone discs from Iranian music resumed, first abroad and later domestically. The rise of radio and Persian-speaking films, which had begun a few years earlier, alongside the recording of discs, contributed to the flourishing of music production. This, in turn, led to the recording and preservation of sounds, which today are considered valuable audio documents of Iranian music history. A brief overview of the historical progression of these diverse documents, which continued to increase until the mid-1970s, is the topic of the final episode of this season of Radio Radif podcasts.

Season 2: The History of Music Recording in Iran – Episode 12

Duration: 42 minutes. After the last recordings in Tehran during Reza Shah’s era in 1933 (1312 Solar Hijri), no further music was recorded in Iran due to the absence of any recording companies. However, musicians embarked on four trips abroad to record their works on gramophone discs. These trips took place in the cities of Aleppo, Berlin, Baghdad, and again Aleppo. The story of these four journeys is the focus of the twelfth episode of Season 2 of the Radio Radif podcast. Following these recordings, no official Iranian music was recorded for several years until after the end of World War II.

Radio Radif Thursdays: Ali Akbar Khan Shahnazi’s Recordings

In the 1920s, when the wave of social transformations and the spirit of modernism had swept across various pillars of society, including its musical life, Shahnazi, like other artists such as Alinaghi Vaziri and Morteza Neydavoud, took steps to establish a music school by developing an educational program. This desire to align with the modern aspects of Iranian society is also reflected in his works and style of performance.