Hengaam-e Mey
Score and Parts

“Hengaam-e Mey” is an arrangement of the song “Az Khoon-e Javanan-e Vatan Laleh Damideh” by Aref Qazvini. We have heard this song performed by “Marzieh” and “Mohammad Reza Shajarian.” An audio sample of the chap-kouk arrangement is available with Marzieh’s voice, and a sample of the raast-kouk arrangement is available with Mohammad Reza Shajarian’s voice. Given that Shajarian’s performance is more accessible, the raast-kouk sample of this piece in the album “Payam-e Ahl-e Raz” was chosen for the notation of the score and parts book of Hengaam-e Mey.

Hengaam-e Mey: Score and Parts Book

The book of Hengaam-e Mey, along with a booklet of images of the manuscripts and annotations by Vahid Tehrani Azad, has been published. It consists of 58 pages and is in a large folio size. The paper material is bulky and fully colored. Payvar Foundation published the first edition in 550 copies in the winter of 2019. The advantage of purchasing this book from the Payvar Foundation website is that a PDF download link to the parts is attached to your invoice. Hence, you can print the parts multiple times and use them to play in an Iranian instrument orchestra or to practice in a group with Iranian instruments.

Group Performance Scores and Parts at Payvar Ensemble

This series of books from the “Payvar Foundation” is practical for many musicians, students, and Iranian instrument players. One of the challenges faced by Iranian music is the lack and weakness of group performance resources. Throughout his artistic career, Faramarz Payvar composed and arranged for his Iranian Instruments Ensemble for over thirty years. He wrote invaluable pieces for the Iranian ensemble that would be great for analysis, group practice, understanding the history of group performance in Iran, and many other ideas and activities. Having access to his manuscripts, the Payvar Foundation has paved the way for correction, comparison, and publication. It is crucial to note that Faramarz Payvar recorded these works not as scores but as separate parts. The Payvar Foundation, while preserving the original characteristics of his registration in the books, has also published these works as scores, which is very useful for composers and leaders of Iranian ensembles. Each book initially includes necessary explanations for notation and comparison of versions, followed by the score of the work, and then the separate parts for each instrument, usually including parts for ney, kamancheh, gheychak alto, santoor, tar, robab, and oud.